Simple sonic events are unfolding themselves and evoke the sound of orphan children ensemble. Pleasant and strange noises join a bass foundation that recreates the ground-shaking subsonic waves of mid-nineties drum&bass. It‘s like a drum major meets a tibetan monk, They try to do a dervish thing together, elegant and funky, which forcibly drags the slowest souls out of their torpor and forces them to run and jump. Loops radiate, something is bouncing, the universe steps out of an anti-academic cloud, to get into your mind and the unexplored regions of our sensibility. All is good in the noosphere – with “redsuperstructure“.

Robert Lippok‘s new record „redsuperstructure“ is based on the spectacular set he performed at Raster Noton Electric Campfire at Villa Massimo in september 2010. After this event, he is encouraged by RasterNoton owners (as they do every year) to re-record the material for their catalogue.

The events and structures of Lippok‘s vaudeville follow scripts which Lippok notated himself with water color and pencil. Other track were even visualized as clay sculptures. His sensitive sound syntheses are complemented by only a few samples and field recordings. On the last track, „daylight astronomy“, the accomponying harp is played by italian harpist and composer Beatrice Martini.

At Flussi he will perform many brand new tracks for the first time.

Teatro Carlo Gesualdo | 29 ago 2013